Wednesday, October 26, 2011

Close Reading Bingo

#1. As the passage goes on, the author uses phrases like "He's got a lot of dough" and "they're also touchy as hell" to make it feel as though the narrator is just another regular kid who is telling you a story.
The error is underlined from rule number 6: http://jimmehftw.blogspot.com/


#2. Holden started by saying that while he knows the reader would like to know about his background, he is not going to provide any information on his origins.
The error is underlines from rule number 7: http://academiczengerine.blogspot.com/


#3. "Turned toward the escalators, carrying a black Penguin paperback and a small white CVS bag, its receipt stapled over the top," describes the harsh clattering of the setting."
The error is underlined from rule number 2: http://t-rex-howdini.blogspot.com/


#4 Baker describes his surroundings as "towering volumes of marble and glass" and "long glossy highlights to each of the black rubber handrails".
The error is highlighted from rule number 8: http://skullandglossbones3.blogspot.com/


WINNER:
J.D. Salinger masters the voice of his protagonist, Holden Caulfield, in the first page of his novel Catcher in the Rye, using direct, colloquial, and bluntly offensive diction. Holden starts by saying that while he knows the reader would like to know about his background, he is not going to provide any information on his origins. His gruff, devil-may-care attitude exudes from the page, as he says he can’t be bothered with “all that David Copperfield kind of crap.” Holden’s trademark sense of superiority reverberates within the passage. While Holden’s language is neither profound nor particularly beautiful, it is representative of how a disenchanted teenager speaks. Holden complains that he won’t give his “whole goddam autobiography” and that his prother is far away from “this crummy place.” He has no objection to cursing, a sign of rebellion against the norm through language. Salinger breathes life into Holden by rambling and cussing, providing literature’s favorite teenage antihero with an identifiably meandering and rude voice.

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